In fact, things are looking anything but tubular for pretty much everyone involved from this point forth.AppleTV+ - Ted Lasso Episode 311 Mom City : focus on the new Original song Fought & Lost Written by Sam Ryder, Tom Howe, Jamie Hartman By Mulder, Regardless of all that though, the key takeaway here is trouble. In the games, it's strongly hinted that Bill and Frank were gay lovers, and conversations around the show already suggest that this will be true of their story here as well. It's also been suggested that the song might be about gay sex (via ), which is particularly interesting when you consider who is sending this message out in the first place. Ellie needs Joel to survive, but as fans of the game already know, Joel will come to need Ellie just as much in the coming weeks.Ĭuriously enough, Anton Corbijn's music video for 'Never Let Me Down Again' includes a pair of shoes walking without anyone wearing them, which speaks again to the journey Joel and Ellie are undertaking, as well as the surreal reality of the world they live in. That obviously parallels the bond which will gradually be forged between Joel and Ellie, especially at the end when Gahan sings "Never let me down" as a refrain. Supernatural star failed to get Last of Us role.While many associate the lyrics with being high and the euphoria that comes with it, not to mention the lows that come after, these words also touch on friendship and what it means to go on a journey with someone you're closely connected to. What we can do, though, is explain why this is such a perfect song choice for this particular moment. It must be a lot of trouble too if they're playing more than one '80s anthem in a row, but we can't give away much more than that. The song was released on 24th August, 1987, which spells trouble for Bill and Frank. If you don't know them already, you should probably change that. The song in question is called 'Never Let Me Down Again' and that voice you hear is coming from Dave Gahan, the lead singer of a legendary English band named Depeche Mode. And then, as the credits start to roll, the words "I'm taking a ride with my best friend/I hope he never lets me down again," can be heard beyond the storm. Our fave trio are already off on their mission. Unfortunately, we can't really go there at this stage, so that just leaves the question of that very last song.īefore the episode ends, a synth beat kicks in on the radio in Joel's room, but no one is there to hear it. Without spoiling too much, we will say that this brief scene and its connection to Bill and Frank will become much clearer by the time you've watched episode three. And an '80s anthem like anything from Wham's enviable discography – that spells trouble, but of what kind? If a '70s bop comes on, they're good to go. So if anything is played from the '60s, Bill and Frank don't have new stock to share or trade with Joel. Given the contents of this book, it turns out that the code corresponds to a specific decade of music. The song in question? Wham's "Wake Me Up Before You Go-Go." When Joel says "shit" in response, it confirms what Ellie suspected all along, that the "X" and therefore the number "80" means trouble. Joel isn't in the mood to discuss this, but after a nap helps calm his grouchiness somewhat, Ellie reveals that the radio came on while he was asleep. And sure, "60 means they don't have anything new, and 70's they've got new stuff." But Ellie's a bit stumped when it comes to that red cross by the number "80". Yes, this code does involve trading of some kind. The Last of Us TV boss on how they deviatedĮllie's sort of right.The Last of Us - What does that song really mean? Against that melancholic, rather ominous beat, the camera pans up to a view of skyscrapers that have crashed into each other, overwhelmed by vegetation and the passage of time. With one final shot, the episode ends back in Joel's room, where the radio starts playing a new song. You know, just in case you forgot this was kind of dangerous. With no choice but to trust her, Joel and Tess take Ellie through the last fence which has a giant FEDRA (Federal Disaster Response Agency) warning slapped on it. Instead, Joel 'fixes' the situation with his fists, which he pounds on the guard's face over and over again.Īs if that wasn't stressful enough, Tess then uses the guard's equipment to discover that Ellie is actually infected. Joel briefly tries to "fix this" with his words, but then the guard's flashlight takes him back to the moment his daughter died, twenty years earlier, and he just loses it. The Last of Us puts The Walking Dead to shame.
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